S Express 2004 Themes from S Express (Best of)

Electronic

S Express 2004 Themes from S Express (Best of)

Rate this torrent + | -

Torrent info

Name:S Express 2004 Themes from S Express (Best of)

Infohash: 1B6327B70887464BD1CFE04043D773F17F56899D

Total Size: 167.84 MB

Magnet: Magnet Download

Seeds: 0

Leechers: 0

Stream: Watch Full Movies @ LimeMovies

Last Updated: 2025-11-29 05:53:55 (Update Now)

Torrent added: 2008-10-15 07:50:47

Alternatives:S Express 2004 Themes from S Express (Best of) Torrents

Torrent Files List

01 - Theme from S-Express (Overture).mp3 (Size: 154.20 MB) (Files: 15)

01 - Theme from S-Express (Overture).mp3

13.80 MB

01 - Theme from S-Express (Overture).sfv

1.69 KB

02 - Superfly Guy.mp3

8.07 MB

03 - Hey Music Lover.mp3

10.31 MB

04 - Mantra for a State of Mind [Club Mix].mp3

20.21 MB

05 - Can You Feel Me.mp3

10.46 MB

06 - Blow Me Another Lollypop.mp3

8.92 MB

08 - Coma II (A.M.-O.K.).mp3

11.27 MB

09 - Nothing to Lose.mp3

15.55 MB

10 - Find 'Em, Fool 'Em, Forget 'Em [Wondere(s)que Mix].mp3

8.15 MB

11 - I Like It.mp3

15.31 MB

12 - Supersonic Lover.mp3

10.45 MB

13 - Funky Killer [12' Version].mp3

10.40 MB

14 - Let It All Out.mp3

11.29 MB

s.nfo

8.27 KB

Announce URL:

Torrent description

Artist....: S Express
Title.....: Themes from S Express
Rel. Date.: 2004
Type/Genre: Electronic
Size......: 167 mb
Format....: mp3
Bitrate...: 320

Tracklist:

1. Theme From S'Express
2. Superfly Guy
3. Hey Music Lover
4. Mantra For A State Of Mind
5. Can You Feel Me
6. Blow Me Another Lollypop
7. Pimps Pushers And Prostitutes
8. Coma II
9. Nothing To Lose
10. Find 'Em Fool 'Em Forget 'Em
11. I Like It
12. Supersonic Lover
13. Funky Killer
14. Let It All Out

S'Express (pronounced ess-express; sometimes spelled S'Xpress or S-Express; otherwise known as Victim of the Ghetto) was a British dance music act from the late 1980s that had one of the earliest commercial successes in the acid house genre.

"Theme from S'Express", based on Rose Royce's "Is It Love You're After", was also one of the earliest recordings to capitalize on sampling culture and it topped the UK Singles Chart as well as the Hot Dance Club Play chart in the United States (also scraping into the U.S. Billboard Hot 100 at number ninety-one).